CINEMA
I’ve been making films since I was six — long before I ever thought of it as a career. Back then, I’d borrow my dad’s iPhone at family get-togethers and recruit other kids to make movies. It was a way to come out of my shell — to connect, observe, and express.
Over time, that childhood hobby became something more intentional. I began editing birthday videos, filming small events, and attending media camps at PVCC and Light House Studio. My first paid gig came at 15 when I filmed b-roll for a wedding — a moment that turned filmmaking from a fun outlet into real work.
Since then, I’ve pursued a double major in Cinema and Theatre at Virginia Tech, along with minors in Strategic Communications and Adaptive Brain & Behavior. I’ve worked on narrative, educational, documentary, and music-based projects — always guided by the belief that film is a tool for empathy, memory, and meaning.
Gracie
Cinematographer, Editor
A short film focused on grief, resilience, and mental health. It became a conversation starter for students and teachers alike and was later repurposed as a set element in Virginia Tech’s stage production of Stupid F***ing Bird.
The Making of Homecoming
Documentary Videographer & Editor
Created in collaboration with Ryan Paul, this film highlights the people and behind-the-scenes creativity of Virginia Tech’s Homecoming events. It’s since launched an ongoing relationship with VT dance teams and event organizers — capturing not just performances, but community.
The Yard Sale Hero
Director, Editor, Performer
An ambitious 360° music video housed in a reactive digital stage. This project involved over a month of filming and a month and a half of rendering — blending performance, technology, and storytelling into one immersive piece.
Dance Team Collaborations
Videographer, Audio Mixer
I’ve filmed performances and mixed music for teams like Exodus, Blacksburg Dance Theater, Kim and Company Dance, and the National Honor Society for Dance Arts. These projects preserve ephemeral moments — helping dancers relive their hard work and artistry for years to come.
With my background in communications, I’m also comfortable conducting interviews and crafting narrative arcs from real stories — though ironically, I prefer staying behind the camera myself.
I’ve worked with a wide range of organizations, including:
Many of these relationships came from trusted word-of-mouth or from people seeing the way I treat each project — with care, intention, and respect for the story being told.
Film, for me, is about connection. It’s not just about crisp visuals or perfect edits — it’s about truth, memory, and emotion. I believe the camera isn’t a barrier; it’s a bridge. Whether I’m documenting a stage performance, filming a quiet moment, or shaping a narrative piece, my goal is to help people feel seen.
I’m drawn to stories that explore identity, family, memory, and transformation. I care more about emotional impact than flashy effects — and I believe the ordinary can be beautiful when filmed with intention.
I’m not chasing algorithms. I’m trying to honor people.
I’m currently open to:
You can check out my portfolio here on the site — or jump straight to my showreel for a quick glimpse of what I do.
Have a story in mind? Let’s bring it to life.
